An Allegory of Money, Politics
and Believing in Yourself
The story began on a barren Kansas farm, where Dorothy lived with a very sober aunt and uncle who “never laughed” (the 1890s depression that hit the farmers particularly hard). A cyclone came up, carrying Dorothy and the house into the magical world of Oz (the American dream that might have been). The house landed on the Wicked Witch of the East (the Wall Street bankers and their man Grover Cleveland), who had kept the Munchkins (the farmers and factory workers) in bondage for many years.
For killing the Wicked Witch, Dorothy was awarded magic silver slippers (the Populist silver solution to the money crisis) by the Good Witch of the North (the North was then a Populist stronghold). In the 1939 film, the silver slippers would be transformed into ruby slippers to show off the cinema’s new technicolor abilities; but the monetary imagery Baum suggested was lost. The silver shoes had the magic power to solve Dorothy’s dilemma, just as the Silverites thought that expanding the money supply with silver coins would solve the problems facing the farmers.
Dorothy wanted to get back to Kansas but was unaware of the power of the slippers on her feet, so she set out to the Emerald City to seek help from the Wizard of Oz (the apparently all-powerful President, whose strings were actually pulled by financiers concealed behind a curtain).
“The road to the City of Emeralds is paved with yellow brick,” she was told, “so you cannot miss it.” Baum’s contemporary audience, wrote Professor Ziaukas, could not miss it either, as an allusion to the gold standard that was then a hot topic of debate.14 Like the Emerald City and the Great and Powerful Oz himself, the yellow brick road would turn out to be an illusion. In the end, what would carry Dorothy home were silver slippers.
On her journey down the yellow brick road, Dorothy was first joined by the Scarecrow in search of a brain (the naive but intelligent farmer kept in the dark about the government’s financial policies), then by the Tin Woodman in search of a heart (the factory worker frozen by unemployment and dehumanized by mechanization). Littlefield commented:
The Tin Woodman . . . had been put under a spell by the Witch of the East. Once an independent and hard working human being, the Woodman found that each time he swung his axe it chopped off a different part of his body. Knowing no other trade he “worked harder than ever,” for luckily in Oz tinsmiths can repair such things. Soon the Woodman was all tin. In this way Eastern witchcraft dehumanized a simple laborer so that the faster and better he worked the more quickly he became a kind of machine. Here is a Populist view of evil Eastern influences on honest labor which could hardly be more pointed.
The Eastern witchcraft that had caused the Woodman to chop off parts of his own body reflected the dark magic of the Wall Street bankers, whose “gold standard” allowed less money into the system than was collectively owed to the banks, causing the assets of the laboring classes to be systematically devoured by debt.
The fourth petitioner to join the march on Oz was the Lion in search of courage. According to Littlefield, he represented the orator Bryan himself, whose roar was mighty like the king of the forest but who lacked political power. Bryan was branded a coward by his opponents because he was a pacifist and anti-imperialist at a time of American expansion in Asia. The Lion became entranced and fell asleep in the Witch’s poppy field, suggesting Bryan’s tendency to get side-tracked with issues of American imperialism stemming from the Opium Wars. Since Bryan led the “Populist” or “People’s” Party, the Lion also represented the people, collectively powerful but entranced and unaware of their strength.
In the Emerald City, the people were required to wear green-colored glasses attached by a gold buckle, suggesting green paper money shackled to the gold standard. To get to her room in the Emerald Palace, Dorothy had to go through 7 passages and up 3 flights of stairs, an allusion to the “Crime of ’73,” the congressional Act that changed the money system from bimetallism (paper notes backed by both gold and silver) to an exclusive gold standard. The Crime of ’73 proved to all Populists that Congress and the bankers were in collusion.15
Dorothy and her troop presented their requests to the Wizard, who demanded that they first vanquish the Wicked Witch of the West, representing the McKinley/Rockefeller faction in Ohio (then considered a Western state). The financial powers of the day were the Morgan/Wall Street/Cleveland faction in the East (the Wicked Witch of the East) and this Rockefeller-backed contingent from Ohio, the state of McKinley, Hanna, and Rockefeller’s Standard Oil cartel. Hanna was an industrialist who was a high school friend of John D. Rockefeller and had the financial backing of the oil giant.16
Dorothy and her friends learned that the Witch of the West had enslaved the Yellow Winkies and the Winged Monkeys (an allusion to the Chinese immigrants working on the Union-Pacific railroad, the native Americans banished from the northern woods, and the Filipinos denied independence by McKinley). Dorothy destroyed the Witch by melting her with a bucket of water, suggesting the rain that would reverse the drought, and the financial liquidity that the Populist solution would bring to the land. As one nineteenth century commentator put it, “Money and debt are as opposite in nature as fire and water; money extinguishes debt as water extinguishes fire.”17
When Dorothy and her troop got lost in the forest, she was told to call the Winged Monkeys by using a Golden Cap she had found in the Witch’s cupboard. When the Winged Monkeys came, their leader explained that they were once a free and happy people; but they were now “three times the slaves of the owner of the Golden Cap, whosoever he may be” (the bankers and their gold standard). When the Golden Cap fell into the hands of the Wicked Witch of the West, the Witch had made them enslave the Winkies and drive Oz himself from the Land of the West.
Dorothy used the power of the Cap to have her band of pilgrims flown to the Emerald City, where they discovered that the “Wizard” was only a smoke and mirrors illusion operated by a little man behind a curtain. A dispossessed Nebraska man himself, he admitted to being a “humbug” without real power. “One of my greatest fears was the Witches,” he said, “for while I had no magical powers at all I soon found out that the Witches were really able to do wonderful things.”
If the Wizard and his puppet were Marcus Hanna and William McKinley, who were the Witches they feared? Behind the Wall Street bankers were powerful British financiers, who funded the Confederates in the Civil War and had been trying to divide and conquer America economically for over a century. Patriotic Americans had regarded the British as the enemy ever since the American Revolution. McKinley was a protectionist who favored high tariffs to keep these marauding British free-traders out. When he was assassinated in 1901, no conspiracy was proved; but some suspicious commentators saw the invisible hand of British high finance at work.18
The Wizard lacked magical powers but was a very good psychologist, who showed the petitioners that they had the power to solve their own problems and manifest their own dreams. The Scarecrow just needed a paper diploma to realize he had a brain. For the Tin Woodman, it was a silk heart; for the Lion, an elixir for courage. The Wizard offered to take Dorothy back to Kansas in his hot air balloon, but the balloon took off before she could get on board. Dorothy and her friends then set out to find Glinda the Good Witch of the South, who they were told could help Dorothy find her way home.
On the way they faced various challenges, including a great spider that ate everything in its path and kept everyone unsafe as long as it was alive. The Lion (the Populist leader Bryan) welcomed this chance to test his new-found courage and prove he was indeed the King of Beasts. He decapitated the mighty spider with his paw, just as Bryan would have toppled the banking cartel if he had won the Presidency.
The group finally reached Glinda, who revealed that Dorothy too had the magic tokens she needed all along: the Silver Shoes on her feet would take her home. But first, said Glinda, Dorothy must give up the Golden Cap (the bankers’ restrictive gold standard that had enslaved the people).
The moral also worked for the nation itself. The economy was deep in depression, but the country’s farmlands were still fertile and its factories were ready to roll. Its entranced people merely lacked the paper tokens called “money” that would facilitate production and trade. The people had been deluded into a belief in scarcity by defining their wealth in terms of a scarce commodity, gold. The country’s true wealth consisted of its goods and services, its resources and the creativity of its people. Like the Tin Woodman in need of oil, all it needed was a monetary medium that would allow this wealth to flow freely, circulating from the government to the people and back again, without being perpetually drained into the private coffers of the bankers.
Sequel to Oz
The Populists did not achieve their goals, but they did prove that a third party could influence national politics and generate legislation. Although Bryan the Lion failed to stop the bankers, Dorothy’s prototype Jacob Coxey was still on the march. In a plot twist that would be considered contrived if it were fiction, he reappeared on the scene in the 1930s to run against Franklin D. Roosevelt for President, at a time when the “money question” had again become a burning issue. In one five-year period, over 2,000 schemes for monetary reform were advanced. Needless to say, Coxey lost the election; but he claimed that his Greenback proposal was the model for the “New Deal,” Roosevelt’s plan for putting the unemployed to work on government projects to pull the country out of the Depression. The difference was that Coxey’s plan would have been funded with debt-free currency issued by the government, on Lincoln’s Greenback model. Roosevelt funded the New Deal with borrowed money, indebting the country to a banking cartel that was surreptitiously creating the money out of thin air, just as the government itself would have been doing under Coxey’s plan without accruing a crippling debt to the banks.
After World War II, the money question faded into obscurity. Today, writes British economist Michael Rowbotham, “The surest way to ruin a promising career in economics, whether professional or academic, is to venture into the ‘cranks and crackpots’ world of suggestions for reform of the financial system.”19 Yet the claims of these cranks and crackpots have consistently proven to be correct. The U.S. debt burden has mushroomed out of control, until just the interest on the federal debt now threatens to be a greater tax burden than the taxpayers can afford. The gold standard precipitated the problem, but unbuckling the dollar from gold did not solve it. Rather, it caused worse financial ills. Expanding the money supply with increasing amounts of “easy” bank credit just put increasing amounts of money in the bankers’ pockets, while consumers sank further into debt. The problem proved to be something more fundamental: it was in who extended the nation’s credit. As long as the money supply was created as a debt owed back to private banks with interest, the nation’s wealth would continue to be drained off into private vaults, leaving scarcity in its wake.
Today’s monetary allegory goes something like this: the dollar is a national resource that belongs to the people. It was an original invention of the early American colonists, a new form of paper currency backed by the “full faith and credit” of the people. But a private banking cartel has taken over its issuance, turning debt into money and demanding that it be paid back with interest. Taxes and a crushing federal debt have been imposed by a financial ruling class that keeps the people entranced and enslaved. In the happy storybook ending to the tale, the power to create money is returned to the people, and abundance returns to the land. But before we get there, the Yellow Brick Road takes us through the twists and turns of history and the writings and insights of a wealth of key players. We’re off to see the Wizard . . . .
Excerpt from The Web of Debt, by Ellen Brown